THIRD PART
THE SYSTEM OF THE PARTICULAR ARTS
INTRODUCTION
[Summary. Nature of the relation between the system of Art-types,or the collective totality of ideal world-presentments, and theirobjective realization in independent works of art. Nature of theprocess in the evolution of the specific arts themselves, and of theaspects identical in all. The origins of art. Grace, Charm, and severeor agreeable Style] 3
DIVISION OF THE SUBJECT
[The principle of differentiation as determined by the sensuous aspectof the subject-matter, and the relation thereto of the human sensesof Sight, Hearing, and intellectual Conception. Insufficiency of sucha principle of classification. Alternative principle discussed andillustrated of more concrete nature, in which the evolution of truthas the reality of the Idea itself is presented] 14
SUBSECTION I
ARCHITECTURE
INTRODUCTION
[Of the beginnings of human art, and that of building in particular.Of the nature of the subordinate classification of architecture viewedas symbolic, classical and romantic] 25
Division of Subject 26
CHAPTER I
INDEPENDENT AND SYMBOLIC ARCHITECTURE
Introduction and Subdivision 32
1. Works of architecture erected in order to unite peoples 36
2. Works of architecture intermediate between the arts of building andsculpture 38
(a) The influence of the generative activity of Nature on the formof buildings 39
(b) Further modification of similar conceptions in the obelisks ofEgypt and other examples 40
(c) Temple enclosures, labyrinths, etc. 42
3. The transition from self-substantive architecture to the classicaltype 48
(a) The nature of subterranean dwellings 48
(b) Construction raised to house the dead in Egypt and elsewhere.The Pyramids 50
(c) Buildings that directly subserve a purpose as the pointof t
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