Transcriber’s Notes

Obvious typographical errors have been silently corrected. Variationsin hyphenation and accents have been standardised but all otherspelling and punctuation remains unchanged.

The woodcut number 48, The Symbol of St. Matthew. Mosaic.,does not exist.

The cover was prepared by the transcriber and is placed in the publicdomain.

Sacred
AND
Legendary Art.
VOL. I.

THE LATEST EDITIONS OF MRS. JAMESON’S WORKS ON
SACRED AND LEGENDARY CHRISTIAN ART.

The Fifth Edition, in 2 vols. square crown 8vo. with 19Etchings on Copper and 187 Woodcuts, price 31s. 6d.

LEGENDS of the SAINTS and MARTYRS asrepresented in the Fine Arts, forming the First Series of ‘Sacredand Legendary Art.’ By Mrs. Jameson.

II. LEGENDS of the MONASTIC ORDERS. ThirdEdition, with 11 Etchings and 88 Woodcuts. 1 vol. 21s.

III. LEGENDS of the MADONNA. Third Edition,with 27 Etchings and 165 Woodcuts. 1 vol. 21s.

IV. HISTORY of OUR LORD as exemplified in Worksof Art. By Mrs. Jameson and Lady Eastlake. Second Edition, with31 Etchings and 281 Woodcuts. 2 vols. 42s.

Of these 312 Illustrations, all prepared specially for the ‘Historyof Our Lord,’ nearly one-third of the whole number have now beenengraved for the first time.

‘We have in these volumes,penned in a truth-seeking spirit andillustrated with a copious generositywhich at once elucidates and adornseach section of the subject, contributionsto the literature of ChristianArt, for which every artist and everystudent of theology will confessdebt of private gratitude. To thoughtfulinquirers, richest mines are hereopened for meditation. To mindsprepared for deeper draughts toquench the thirst for knowledge, wellsare dug and fountains are made toflow even in the desert tracks of timewhere pilgrim’s foot seldom attemptsto tread. We think that Lady Eastlakehas done special service inbringing into popular view reconditestores which have hitherto beensealed for public use. She has, byappeal to the early heads of Christ inthe Catacombs, by reference to Christiansarcophagi of the fourth century,to ivories as old as the sixth century,and Greek MSS. and Byzantineminiatures of the ninth century,enabled the art-student to tract thehistory of types and antetypes, and toanalyse the rudimentary germs which,from age to age accumulating strengthand growing in comeliness, at lengthissued forth in perfected pictorialform. It is to this, the infancy of art,that at the present moment peculiarinterest attaches.

Blackwood’s Magazine.

The Assumption of the Magdalena.

Sacred
AND
Legendary Art.

BY MRS. JAMESON.

VOLUME I.
CONTAINING
LEGENDS OF THE ANGELS AND ARCHANGELS, THE EVANGELISTS,
THE APOSTLES, THE DOCTORS OF THE

...

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