A HISTORY OF THE PIANOFORTE ANDPIANOFORTE PLAYERS

Portrait of Franz Liszt

A


HISTORY of the PIANOFORTE

AND

PIANOFORTE PLAYERS


TRANSLATED AND REVISED
FROM THE GERMAN OF

OSCAR BIE

BY

E. E. KELLETT, M.A.

AND

E. W. NAYLOR, M.A., Mus.D.

WITH NUMEROUS PORTRAITS, ILLUSTRATIONS, AND FACSIMILES

publisher colophon

LONDON
J. M. DENT & COMPANY

NEW YORK
E. P. DUTTON & COMPANY

MDCCCXCIX


All rights reserved


Dedicated

TO

EUGENE D’ALBERT


Editors’ Preface

This work does not profess to be so much a literal translationas a somewhat free version of Dr Bie’s “Das Klavier.” Theauthor, writing as he does for a German public, naturally usesa more philosophic style than would be generally intelligiblein England. Availing themselves, therefore, of Dr Bie’s kindpermission, the Editors, with a view to making the book moreacceptable to English readers, have allowed themselves considerableliberty both in omission and in addition. For all portionsof the text which are enclosed in square brackets they holdthemselves responsible. The footnotes, except a few which arespecially marked, have been added by Dr Naylor.

E. W. N.
E. E. K.


[Pg ix]

Contents

Chap. Page
I. Old England—A Prelude 1
The Domestic Character of the Piano, p. 2. Queen Elizabeth at theSpinet, p. 3. Shakespeare and Music, p. 5. Mediæval ChurchMusic, p. 7. Ecclesiastical use of Folk Songs, p. 8. Popular ContrapuntalMusic, p. 9. The Folk Song
...

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