A
HISTORY of the PIANOFORTE
AND
PIANOFORTE PLAYERS
TRANSLATED AND REVISED
FROM THE GERMAN OF
BY
E. E. KELLETT, M.A.
AND
E. W. NAYLOR, M.A., Mus.D.
WITH NUMEROUS PORTRAITS, ILLUSTRATIONS, AND FACSIMILES
LONDON
J. M. DENT & COMPANY
NEW YORK
E. P. DUTTON & COMPANY
MDCCCXCIX
All rights reserved
Dedicated
TO
EUGENE D’ALBERT
This work does not profess to be so much a literal translationas a somewhat free version of Dr Bie’s “Das Klavier.” Theauthor, writing as he does for a German public, naturally usesa more philosophic style than would be generally intelligiblein England. Availing themselves, therefore, of Dr Bie’s kindpermission, the Editors, with a view to making the book moreacceptable to English readers, have allowed themselves considerableliberty both in omission and in addition. For all portionsof the text which are enclosed in square brackets they holdthemselves responsible. The footnotes, except a few which arespecially marked, have been added by Dr Naylor.
E. W. N.
E. E. K.
Chap. | Page | |
I. | Old England—A Prelude | 1 |
The Domestic Character of the Piano, p. 2. Queen Elizabeth at theSpinet, p. 3. Shakespeare and Music, p. 5. Mediæval ChurchMusic, p. 7. Ecclesiastical use of Folk Songs, p. 8. Popular ContrapuntalMusic, p. 9. The Folk Song ... BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!Sitemize Üyelik ÜCRETSİZDİR! |