Produced by Suzanne Shell, Richard Prairie and PG

Distributed Proofreaders.

THE

ORANGE-YELLOW
DIAMOND
BY
J. S. FLETCHER

1921

CONTENTS

I THE PRETTY PAWNBROKER
II MRS. GOLDMARK'S EATING-HOUSE
III THE DEAD MAN
IV THE PLATINUM SOLITAIRE
V THE TWO LETTERS
VI THE SPANISH MANUSCRIPT
VII THE MEMBER OF PARLIAMENT
VIII THE INQUEST
IX WHOSE WERE THOSE RINGS?
X MELKY INTERVENES
XI THE BACK DOOR
XII THE FRIEND FROM PEEBLES
XIII THE CALL FOR HELP
XIV THE PRIVATE LABORATORY
XV CONFERENCE
XVI THE DETECTIVE CALLS
XVII WHAT THE LAMPS SHONE ON
XVIII MR. STUYVESANT GUYLER
XIX PURDIE STANDS FIRM
XX THE PARSLETT AFFAIR
XXI WHAT MANNER OF DEATH?
XXII MR. KILLICK GOES BACK
XXIII MR. KILLICK'S OPINION
XXIV THE ORANGE-YELLOW DIAMOND
XXV THE DEAD MAN'S PROPERTY
XXVI THE RAT
XXVII THE EMPTY HOUSE
XXVIII THE £500 BANK NOTE
XXIX MR. MORI YADA
XXX THE MORTUARY
XXXI THE MIRANDOLET THEORY
XXXII ONE O'CLOCK MIDNIGHT
XXXIII SECRET WORK
XXXIV BAFFLED
XXXV YADA TAKES CHARGE
XXXVI PILMANSEY'S TEA ROOMS
XXXVII CHANG LI
XXXVIII THE JEW AND THE JAP
XXXIX THE DIAMOND NECKLACE

THE ORANGE-YELLOW DIAMOND

CHAPTER ONE

THE PRETTY PAWNBROKER

On the southern edge of the populous parish of Paddington, in aparallelogram bounded by Oxford and Cambridge Terrace on the south,Praed Street on the north, and by Edgware Road on the east and SpringStreet on the west, lies an assemblage of mean streets, the drabdulness of which forms a remarkable contrast to the pretentiousarchitectural grandeurs of Sussex Square and Lancaster Gate, close by.In these streets the observant will always find all those evidences ofdepressing semi-poverty which are more evident in London than in anyother English city. The houses look as if laughter was never heardwithin them. Where the window blinds are not torn, they are dirty; thefolk who come out of the doors wear anxious and depressed faces. Suchshops as are there are mainly kept for the sale of food of poorquality: the taverns at the corners are destitute of attraction orpretension. Whoever wanders into these streets finds their sordidshabbiness communicating itself: he escapes, cast down, wondering whothe folk are who live in those grey, lifeless cages; what they do, whatth

...

BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!


Sitemize Üyelik ÜCRETSİZDİR!