TRANSCRIBER'S NOTES:
The book cover has been modified and was put on the public domain.
A number of words in this book have both hyphenated andnon-hyphenated variants. For the words with both variants present theone used more times has been kept. It was also detected that some nameshave two different spellings. That was respected as both are correct.
The musical examples that are discussed in the book can be heard byclicking on the [Listen] tab. This is only possible in the HTML versionof the book. The scores that appear in the original book have beenincluded as images.
In some cases the scores that were used by the music transcriberto generate the music files differ from the original scores. Thosedifferences are in part due to modifications that were made during the processof creating the musical archives as the music transcriber addedinstruments that were not indicated in the original scores. Othermodifications were made to correct obvious mistakes in the originalscores. These scores are included as png images,and can be seen by clicking on the [PNG] tag in the HTML version of thebook.
Obvious punctuation and other printing errors have beencorrected.
BY
HENRY EDWARD KREHBIEL
NEW YORK AND LONDON
HARPER & BROTHERS PUBLISHERS
1904
Copyright, 1891, by HARPER & BROTHERS.
All rights reserved.
TO
JOSEPH S. TUNISON
CONTENTS.
CHAPTER I. THE WAGNERIAN DRAMA: ITS PROTOTYPES AND ELEMENTS. | |
Wagner a Regenerator of the Lyric Drama.—Greek Tragedy.—Solemn Speech and Music.—The Poet-composers of Hellas.—The Florentine Reformers and their Invention of the Lyric Drama.—Peri and Caccini.—Their Declamation.—Monteverde's Orchestra.—How Wagner Touches Hands with his Predecessors.—Poet and Composer.—Music a Means, not an Aim in the Drama.—A Typical Teuton, but also a Cosmopolite.—Teutonic and Roman Ideals.—Absolute Beauty and Characteristic Beauty.—The Ethical Idea in Wagner's Dramas.—Fundamental Principle of his Constructive Scheme. The Typical Phrases.—Symbols, not Labels.—Music as a Language.—Characteristics of Some Typical Phrases.—Wotan in Two Aspects.—Form the First Manifestation of Law in Music and Essential to Repose.—Tonality and the Effect of its Loss.—Phrases Delineative and Imitative of External Characteristics.—The Giants, the Dwarfs, the Rhine; Loge, the God of Fire.—Prophetic Use of the Phrases.—Their Dramatic Development.—Wagner's Orchestra and the Greek Chorus.—Alliteration and Rhyme.—The Ethical Idea Again. | Pages 1-36 ... BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!Sitemize Üyelik ÜCRETSİZDİR! |