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STUDIES
IN THE
WAGNERIAN DRAMA

BY

HENRY EDWARD KREHBIEL

NEW YORK AND LONDON
HARPER & BROTHERS PUBLISHERS
1904

Copyright, 1891, by HARPER & BROTHERS.
All rights reserved.

TO
JOSEPH S. TUNISON

CONTENTS.

CHAPTER I.
THE WAGNERIAN DRAMA: ITS PROTOTYPES AND ELEMENTS.
Wagner a Regenerator of the Lyric Drama.—Greek Tragedy.—Solemn
Speech and Music.—The Poet-composers
of Hellas.—The Florentine Reformers and their Invention
of the Lyric Drama.—Peri and Caccini.—Their
Declamation.—Monteverde's Orchestra.—How Wagner
Touches Hands with his Predecessors.—Poet and
Composer.—Music a Means, not an Aim in the Drama.—A
Typical Teuton, but also a Cosmopolite.—Teutonic
and Roman Ideals.—Absolute Beauty and Characteristic
Beauty.—The Ethical Idea in Wagner's Dramas.—Fundamental
Principle of his Constructive Scheme.
The Typical Phrases.—Symbols, not Labels.—Music as
a Language.—Characteristics of Some Typical Phrases.—Wotan
in Two Aspects.—Form the First Manifestation
of Law in Music and Essential to Repose.—Tonality
and the Effect of its Loss.—Phrases Delineative
and Imitative of External Characteristics.—The
Giants, the Dwarfs, the Rhine; Loge, the God of
Fire.—Prophetic Use of the Phrases.—Their Dramatic
Development.—Wagner's Orchestra and the Greek
Chorus.—Alliteration and Rhyme.—The Ethical Idea
Again.
Pages 1-36...

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