CONTENTS
“A bit thick, I call it,” Pollard looked round the group; “here’sMellen been dead six weeks now, and the mystery of his taking-offstill unsolved.”
“And always will be,” Doctor Davenport nodded. “Mighty few murders arebrought home to the villains who commit them.”
“Oh, I don’t know,” drawled Phil Barry, an artist, whose dress anddemeanor coincided with the popular idea of his class. “I’ve no headfor statistics,” he went on, idly drawing caricatures on the margin ofhis evening paper as he talked, “but I think they say that onlyone-tenth of one per cent, of the murderers in this great and gloriouscountry of ours are ever discovered.”
“Your head for statistics is defective, as you admit,” DoctorDavenport said, his tone scornful; “but percentages mean little inthese matters. The greater part of the murders committed are notbrought prominently before public notice. It’s only when the victim isrich or influential, or the circumstances of some especial interestthat a murder occupies the front pages of the newspapers.”
“Old Mellen’s been on those same front pages for several weeks—offand on, that is,” Pollard insisted; “of course, he was a well-knownman and his exit was dramatic. But all the same, they ought to havecaught his murderer—or slayer, as the papers call him.”
“Him?” asked Barry, remembering the details of the case.
“Impersonal pronoun,” Pollard returned, “and probably a man anyway.‘Cherchez la femme,’ is the trite advice, and always sounds well, butreally, a woman seldom has nerve enough for the fatal deed.”
“That’s right,” Davenport agreed. “I know lots of women who have allthe intent of mu