LEGENDS

OF

THE MADONNA,

AS

REPRESENTED IN THE FINE ARTS.

BY MRS. JAMESON.

CORRECTED AND ENLARGED EDITION.

BOSTON:
HOUGHTON, MIFFLIN AND COMPANY.
The Riverside Press, Cambridge.
1881.

NOTE BY THE PUBLISHERS.

Some months since Mrs. Jameson kindly consented to prepare for thisEdition of her writings the series of Sacred and Legendary Art, butdying before she had time to fulfil her promise, the arrangement hasbeen intrusted to other hands. The text of the whole series will be anexact reprint of the last English Edition.

TICKNOR & FIELDS.

BOSTON, Oct. 1st, 1860.

CONTENTS.

PREFACE

INTRODUCTION—
  Origin of the Worship of the Madonna.
  Earliest artistic Representations.
  Origin of the Group of the Virgin and Child in the Fifth Century.
  The First Council at Ephesus.
  The Iconoclasts.
  First Appearance of the Effigy of the Virgin on Coins.
  Period of Charlemagne.
  Period of the Crusades.
  Revival of Art in the Thirteenth Century.
  The Fourteenth Century.
  Influence of Dante.
  The Fifteenth Century.
  The Council of Constance and the Hussite Wars.
  The Sixteenth Century.
  The Luxury of Church Pictures.
  The Influence of Classical Literature on the Representations of the
      Virgin.
  The Seventeenth Century.
  Theological Art.
  Spanish Art.
  Influence of Jesuitism on Art.
  Authorities followed by Painters in the earliest Times.
  Legend of St. Luke.
  Character of the Virgin Mary as drawn in the Gospels.
  Early Descriptions of her Person; how far attended to by the Painters.
  Poetical Extracts descriptive of the Virgin Mary.

SYMBOLS AND ATTRIBUTES OF THE VIRGIN.
Proper Costume and Colours.

DEVOTIONAL SUBJECTS AND HISTORICAL SUBJECTS.
  Altar-pieces.
  The Life of the Virgin Mary as treated in a Series.
  The Seven Joys and Seven Sorrows as a Series.
  Titles of the Virgin, as expressed in Pictures and Effigies.
  Churches dedicated to her.
  Conclusion.

SUPPLEMENTARY NOTES

DEVOTIONAL SUBJECTS.

PART I.

THE VIRGIN WITHOUT THE CHILD.

LA VERGINE GLORIOSA. Earliest Figures. The Mosaics. The Virgin of San
Venanzio. The Virgin of Spoleto.

The Enthroned Virgin without the Child, as type of heavenly Wisdom.
Various Examples.

L'INCORONATA, the Type of the Church triumphant. The Virgin crowned by her Son. Examples from the old Mosaics. Examples of the Coronation of the Virgin from various Painters.

The VIRGIN OF MERCY, as she is represented in the Last Judgment.

The Virgin, as Dispenser of Mercy on Earth. Various Examples.

The MATER DOLOROSA seated and standing, with the Seven Swords.

The Stabat Mater, the Ideal Pietà. The Votive Pieta by Guido.

OUR LADY OF THE IMMACULATE CONCEPTION Origin of the Subject. Histo

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