| BY THE SAME WRITER— THE SECRET ROSE THE CELTIC TWILIGHT POEMS THE WIND AMONG THE REEDS THE SHADOWY WATERS PLAYS FOR AN IRISH THEATRE Vol. I. Where there is Nothing Vol. II. Shorter Plays |
Second Edition
A. H. BULLEN, 47 Great Russell
Street, London, W.C. MCMIII
| WHAT IS ‘POPULAR POETRY’? | 1 |
| SPEAKING TO THE PSALTERY | 16 |
| MAGIC | 29 |
| THE HAPPIEST OF THE POETS | 70 |
| THE PHILOSOPHY OF SHELLEY’S POETRY | 90 |
| AT STRATFORD-ON-AVON | 142 |
| WILLIAM BLAKE AND THE IMAGINATION | 168 |
| WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY | 176 |
| SYMBOLISM IN PAINTING | 226 |
| THE SYMBOLISM OF POETRY | 237 |
| THE THEATRE | 257 |
| THE CELTIC ELEMENT IN LITERATURE | 270 |
| THE AUTUMN OF THE BODY | 296 |
| THE MOODS | 306 |
| THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 308 |
| THE RETURN OF ULYSSES | 312 |
| IRELAND AND THE ARTS | 320 |
| THE GALWAY PLAINS | 333 |
| EMOTION OF MULTITUDE | 339 |
Note.—The Essay on Symbolism in Painting originally formed part of anIntroduction to A Book of Images drawn by W. T. Horton (Unicorn Press), 1898.
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