These books were planned in a series of conferences and consultationswith leading art teachers and educators, among whom were the following:

  • Miss Bonnie E. Snow, Formerly Director of Art, Public Schools,Minneapolis, Minn.
  • Miss Wilhelmina Seegmiller, Director of Art, Public Schools,Indianapolis, Ind.
  • Miss Harriette L. Rice, Director of Art, Public Schools,Providence, R. I.
  • Mr. Walter Scott Perry, Director of the Art Department, PrattInstitute, Brooklyn, N. Y.
  • Mrs. M. E. Riley, Director of Art, Public Schools, St. Louis, Mo.
  • Dr. Hugo Münsterberg, Professor of Psychology, Harvard University.
  • Mrs. Alice W. Cooley, Department of Education, University of NorthDakota.
  • Mr. John S. Clark, Boston, Mass.

TEXT BOOKS OFART EDUCATION

BOOK II. / / SECOND YEAR

BY

HUGO B. FROEHLICH

FORMERLY INSTRUCTOR IN PRATT INSTITUTEBROOKLYN, N. Y.

AND

BONNIE E. SNOW

FORMERLY SUPERVISOR OF DRAWING IN THEPUBLIC SCHOOLS OF MINNEAPOLIS, MINN.

THE PRANG EDUCATIONAL COMPANY
NEW YORK / / BOSTON / / CHICAGO

Copyright, 1904, By
THE PRANG EDUCATIONAL COMPANY.

Acknowledgment.

We are indebted to the publishers, Charles Scribner's Sons, forpermission to use the verses, "At the Seaside" (page 46), the lines from"Good and Bad Children" (page 13), and the lines from "Singing" (page36)—all from "A Child's Garden of Verses," by Robert Louis Stevenson;to the Macmillan Company for the lines by Christina Rossetti (page 16);to Houghton, Mifflin and Company for the stanza from Longfellow's "TheFiftieth Birthday of Agassiz" (page 1).

For the Theory of Color Relations used in these books, specialacknowledgment is due to Dr. Denman W. Ross, of Harvard University. Thelessons in Design are preparatory to the fuller exposition in the upperbooks of Dr. Ross's principles of arrangement—Balance, Rhythm andHarmony.


"I took a piece of plastic clay,
And idly fashioned it one day,
And as my fingers pressed it, still
It moved and yielded to my will.
I came again when days were past,—
The bit of clay was hard at last.
The form I gave it still it bore,
But I could change that form no more.
"I took a piece of living clay,
And gently formed it day by day,
And moulded, with my power and art,
A young child's soft and yielding heart.
I came again, when years were gone,—
It was a man I looked upon.
...

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