SONS AND LOVERS

THE MODERN LIBRARY

OF THE WORLD'S BEST BOOKS

The publishers will be pleased to send, upon request, an illustratedfolder setting forth the purpose and scope of THE MODERNLIBRARY, and listing each volume in the series. Every reader ofbooks will find titles he has been looking for, handsomely printed, inunabridged editions, and at an unusually low price.

SONS AND LOVERS

BYD. H. LAWRENCE

WITH AN INTRODUCTION BYJOHN MACY

THE MODERN LIBRARY · NEW YORK
COPYRIGHT. 1913.  BY THOMAS SELTZER, INC.

INTRODUCTION COPYRIGHT, 1922,
BY BONI AND LIVERIGHT

Random House is the publisher of
THE MODERN LIBRARY

BENNETT A. CERF · DONALD S. KLOPPER · ROBERT K. HAAS

Manufactured in the United States of America

Printed by Parkway Printing Company      Bound by H. Wolff

[v]

INTRODUCTION

An introduction to this book is as superfluous as a candle in front ofa searchlight. But a convention of publishing seems to require that thecandle should be there, and I am proud to be the one to hold it. Aboutten years ago I picked up from the pile of new books on my desk a copyof Sons and Lovers by a man of whom I had never heard, and I startedto race through it with the immoral speed of the professional reviewer.But after a page or two I found myself reading, really reading. Herewas—here is—a masterpiece in which every sentence counts, a bookcrammed with significant thought and beautiful, arresting phrases, thework of a singular genius whose gifts are more richly various thanthose of any other young English novelist.

To appreciate the rich variety of Mr. Lawrence we must read his laternovels and his volumes of poetry. But Sons and Lovers reveals therange of his power. Here are combined and fused the hardest sort of"realism" and almost lyric imagery and rhythm. The speech of thepeople is that of daily life and the things that happen to them arenormal adventures and accidents; they fall in love, marry, work, fail,succeed, die. But of their deeper emotions and of the relations ofthese little human beings to the earth and to the stars Mr. Lawrencemakes something as near to poetry as prose dare be without violatingits proper "other harmony."

Take the marvellous paragraph on next to the last page (Mr. Lawrencedepends so little on plot in the ordinary sense of the word that it isperfectly fair to read the end of his book first):

"Where was he? One tiny upright speck of flesh, less than an ear ofwheat lost in the field. He could not bear it. On every side theimmense dark silence seemed pressing[vi] him, so tiny a spark, intoextinction, and yet, almost nothing, he could not be extinct. Night,in which everything was lost, went reaching out, beyon

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