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THE HOME UNIVERSITY LIBRARY
OF MODERN KNOWLEDGE

43

MEDIEVAL
ENGLISH LITERATURE

EDITORS OF
The Home University Library
of Modern Knowledge

GILBERT MURRAY, O.M., D.C.L., F.B.A.
G. N. CLARK, LL.D., F.B.A.
G. R. DE BEER, D.SC., F.R.S.

United States

JOHN FULTON, M.D., PH.D.
HOWARD MUMFORD JONES, LITT.D.
WILLIAM L. LANGER, PH.D.

Medieval
English Literature

W. P. KER

Geoffrey Cumberlege
OXFORD UNIVERSITY PRESS
LONDON NEW YORK TORONTO

First published in 1912, and reprinted in 1925, 1926, 1928 (twice),
1932, and 1942
Reset in 1945 and reprinted in 1948

PRINTED IN GREAT BRITAIN

CONTENTS

CHAP. PAGE
I INTRODUCTION 7
II THE ANGLO-SAXON PERIOD 16
III THE MIDDLE ENGLISH PERIOD (1150-1500) 43
IV THE ROMANCES 76
V SONGS AND BALLADS 107
VI COMIC POETRY 124
VII ALLEGORY 137
VIII SERMONS AND HISTORIES, IN VERSE AND PROSE 150
IX CHAUCER 163
 NOTE ON BOOKS 187
 SUPPLEMENTARY NOTE by R. W. CHAMBERS 188
 INDEX 190
[7]

CHAPTER I
INTRODUCTION

Readers are drawn to medieval literature in manydifferent ways, and it is hardly possible to describe allthe attractions and all the approaches by which theyenter on this ground. Students of history have tolearn the languages of the nations with whose historythey are concerned, and to read the chief books inthose languages, if they wish to understand rightly theideas, purposes and temper of the past ages. Sometimesthe study of early literature has been instigatedby religious or controversial motives, as when theAnglo-Saxon homilies were taken up and edited andinterpreted in support of the Reformation. Sometimesit is mere curiosity that leads to investigation ofold literature—a wish to find out the meaning of whatlooks at first difficult and mysterious. Curiosity ofthis sort, however, is seldom found unmixed; thereare generally all sorts of vague associations and interestscombining to lead the explorer on. It has often beenobserved that a love of Gothic architecture, or ofmedieval art in general, goes along with, and helps,the study of medieval poetry. Chatterton’s oldEnglish reading and his imitations of old English versewere inspired by the Church of St. Mary Redcliffe atBristol. The lives of Horace Walpole, of Thomas

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