cover

[i]

A SATIRE ANTHOLOGY


[ii]

SATIRE should, like a polished razor keen,
Wound with a touch that’s scarcely felt or seen.
LADY MARY WORTLEY MONTAGU.

[iii]

Title page
A
Satire
Anthology



Collected by
Carolyn Wells




New York
Charles Scribner’s Sons

1905

[iv]


[v]

TO
MINNIE HARPER PILLING

[vi]
[vii]

NOTE

Acknowledgment is hereby gratefully made to thepublishers of the various poems included in this compilation.

Those by Oliver Wendell Holmes, James RussellLowell, John G. Saxe, Edward Rowland Sill, John Hay,Bayard Taylor and Edith Thomas are published bypermission of Messrs. Houghton, Mifflin & Co.

The poems by Anthony Deane and Owen Seaman areused by arrangement with John Lane.

Through the courtesy of Small, Maynard & Co.,are included poems by Bliss Carman, Charlotte PerkinsStetson-Gilman, Stephen Crane, and Frederic RidgelyTorrence.

Poems by Sam Walter Foss are published by permissionof Lothrop, Lee & Shepherd Co.

The Century Co. are the publishers of poems byRichard Watson Gilder and Mary Mapes Dodge.

Frederich A. Stokes Company give permission forpoems by Gelett Burgess and Stephen Crane.

“The Buntling Ball,” by Edgar Fawcett is publishedby permission of Funk and Wagnalls Company; “Hochder Kaiser” by Rodney Blake, by the courtesy of theNew Amsterdam Book Co. The poems by JamesJeffrey Roche by permission of E. H. Bacon & Co.;and “The Font in the Forest” by Herman KnickerbockerVielé, by permission of Brentano’s.

“The Evolution of a Name,” by Charles BattellLoomis, is quoted from “Just Rhymes,” Copyright, 1899,by R. H. Russell.

“He and She,” by Eugene Fitch Ware, is publishedby permission of G. P. Putnam’s Sons.


[viii]
[ix]

CONTENTS

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Chorus of Women
Aristophanes