The Azure Adder

THE
GLEBE

VOLUME 1
NUMBER 3

DECEMBER
1913

SUBSCRIPTION
Three Dollars Yearly
THIS ISSUE 35 CENTS

By Charles Demuth

The only editorial policy of THE GLEBE isthat embodied in its declaration of absolutefreedom of expression, which makes for a rangebroad enough to include every temperament fromthe most radical to the most conservative, the onlyrequisite being that the work should have unmistakablemerit. Each issue will be devoted exclusivelyto one individual, thereby giving him an opportunityto present his work in sufficient bulk tomake it possible for the reader to obtain a muchmore comprehensive grasp of his personality than isafforded him in the restricted space allotted by theother magazines. Published monthly, or more frequentlyif possible, THE GLEBE will issue twelveto twenty books per year, chosen on their meritsalone, since the subscription list does away with theneed of catering to the popular demand that confrontsevery publisher. Thus, THE GLEBE canpromise the best work of American and foreignauthors, known and unknown.

The price of each issue of THE GLEBE will varywith the cost of publication, but the yearly subscription,including special numbers, is three dollars.

EditorAssociatesBusiness Manager
Alfred KreymborgLeonard D. AbbottCharles Boni, Jr.
 Albert Boni 
 Alanson Hartpence 
 Adolf Wolff 

The Azure Adder

To R. E. L.

The Azure Adder

By
Charles Demuth

NEW YORK
ALBERT AND CHARLES BONI
96 Fifth Avenue
1913

Copyright, 1913
By
The Glebe

THE AZURE ADDER

Scene. Studio of Vivian. Simplicity run riotis the keynote: white against white; white wallsand little furniture. The furniture is painted gray,Vivian’s gray—really white.

Time. The ultra-present.

(The curtain rises. For a minute or two thestage is empty. Then enter Vivian, through thedoor at the back of the stage, the only door in thescene. He wears the dress of the ancient Greeksand is evidently just coming from the bath, asshown by his damp hair. In one hand he carriesa few narcissi, while with the other he tries toarrange th

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